Selecting the Most Appropriate Acting School for You

You want to be an actor, or at the very least, a BETTER actor, right?
How do you choose the best acting class… for you… at the best acting school? What is the most effective method of investigation? You can learn more at Orlando Acting School.


Allow me to share some of my professional knowledge to assist you with this critical phase in your journey.
An advertisement in the NYC Village Voice piqued my interest and made my heart skip a beat several years ago. The black and white ad’s aesthetics, the name of the acting studio, and the print’s appearance all drew me in to learn more. In an instant, my life changed…forever! I climbed the stairs to a studio on Manhattan’s west 14th street, to what I imagined a garret in Paris would look like; and in that instant, my life changed…forever!

To bring this up to date, we now have a lot more acting classes, studios, and techniques than we did when I first started. Despite the fact that the diversity is much greater and there are more testing methods available, the best way to choose is to trust what captivates you, feels right, captures you, speaks to you, and lights you up.

I’ll use a few abbreviated quotes from a chapter from my acting book “Transformational Acting” to help demystify some of the new techniques.

A Brief History of Theatre and Its Current Practices:
When the great Russian director and teacher Konstantin Stanislavsky invented the technique that would become Method Acting in the early 1900s, he brought acting to a whole new level.

Representational Acting was previously taught as a method of imitating and mastering specific physical and vocal abilities.

He expanded on this, teaching the principle of sense memory to achieve emotional truth, as the then-new field of psychology was leading to a new interpretation of human behaviour. This provided actors with the means to explore and recreate his character’s depth by delving into and recreating his past emotions. In order to enhance the actor’s imagination, he even used the magic “IF.” If I went to a royal wedding, I’d wear…, the actor would say. This exercise immerses an actor in the script’s setting. Fourth wall, goals, concentration drills, and a through-line were also included.
It is said that after visiting Stanislavsky, Stella Adler declared that he was downplaying the importance of sense memory. Adler’s method was based on script analysis, behaviour, and character development, as well as imagination.
By that time, Lee Strasberg had adopted Sense Memory, which, along with relaxation exercises and Lee’s informative criticisms, had become the foundation of The Method taught at the renowned Actors Studio.

Sanford Meisner, who revised the prevailing approaches with his Repetition drills, use of movement, and using exercises for the first year of a two-year programme, was another powerful force.